WPKN Archives Archive Feed: yuag Archived radio content http://www.wpkn.org/ Mon, 27 Mar 2023 23:00:08 GMT WPKN Archives Archive Feed: yuag http://www.wpkn.org/ http://archives.wpkn.org//banners/7.png 850 192 Live Culture with Martha Willette Lewis Episode 42:Powerful Women http://archives.wpkn.org/http://archives.wpkn.org/bookmarks/listen/234804 <p>This month's show starts with a conversation with <strong>Stephanie Wiles</strong> the new <strong>Henry J. Heinz II Director</strong> of the <strong>Yale University Art Gallery</strong> in New Haven, a post she began this summer, on July 1st!</p> <p>We talk about the future she envisages for the art gallery, and find out what might be in store for us under her tenure, as well as the challenges that lie ahead for museums and arts venues in this current social and economic climate. YUAG has a rich and encyclopedic collection that offers a myriad of possibilities, and Stephanie's record is one of innovative partnerships and initiatives.</p> <p><strong>Stephanie Wiles</strong> comes to <strong>Yale </strong>with over 20 years of experience leading college and university art museums. In her prior roles, Wiles has led efforts to connect the visual arts to other areas of university life by developing interdisciplinary courses, reimagining gallery spaces to be more inviting to visitors from campus and beyond, and spearheading exhibitions and publications to showcase research.</p> <p>She has served on several committees at <strong>Cornell Tech</strong>, a science and technology graduate school in New York City, tasked with bringing art to the campus and into the curriculum. Wiles has successfully created educational and research opportunities across disciplines that take advantage of museum collections. She secured funding from the <strong>Andrew W. Mellon Foundation</strong> to develop eight semester-long courses that bridged the arts, humanities, science, and engineering.</p> <p>Wiles began her career in the department of drawings and prints at the <strong>Morgan Library &amp; Museum</strong> in New York City; she later assumed leadership positions at <strong>Wesleyan University, Oberlin College</strong>, and, most recently, <strong>Cornell University</strong>.</p> <p>One of the most visible of her projects at Cornell was the negotiation and completion of <em><strong>Cosmos,</strong></em> a site-specific light sculpture by <strong>Leo Villareal</strong>, made up of 12,000 LED lights. The work, named in honor of scientist <strong>Carl Sagan</strong> and visible across campus and from many parts of Ithaca, is a beacon attracting visitors to the museum.</p> <p>For more information about <strong>YUAG</strong> please visit <a href="https://artgallery.yale.edu/">here</a></p> <p>During the second half&nbsp; I speak with <strong>The Fairfield Museum</strong>&rsquo;s <strong>Exhibitions Curator Laurie Lamarre</strong>, about the new exhibit: <em><strong>Flappers: Fashion and Freedom</strong></em> which opened August 16 and runs through February 2019.</p> <p>This exhibition showcases women&rsquo;s fashion of the 1920s and explores how &ldquo;flappers&rdquo; &ndash; locally and beyond &ndash; embraced a glamorous and rebellious identity. The New Woman of the 1920s represented a daring freedom of movement, behavior, and athleticism, and championed a new fashion aesthetic and attitude. The new styles included shorter skirts, freedom from corsets and bobbed hair. Flappers had social lives independent of the domestic landscape, that included frequenting dance halls, speakeasies and sporting events. <br /> <br /> The year 1920 marked a watershed in the ongoing struggle for American women&rsquo;s equality, as women secured the right to vote and claimed full citizenship alongside men. As they moved increasingly into colleges, workplaces, and public life, a new generation sought further social freedoms to move, dress, and behave as they pleased, flouting earlier standards of social behaviors for &quot;respectable&quot; women. Driving cars, smoking, and dancing, the flapper represented a youth-oriented search for freedom and parity. The flapper was as much cultural style as a reality, and women across social lines embraced the fashions of flappers and in doing so, embodied &quot;modernity&quot;.</p> <p>Despite this, nearly a hundred years later, we still inherit the internal contradictions that she faced as we continue to seek and advance American women's equality economically, in the workplace, at home and in self-determining our bodies. This exhibit examines that parallel and focuses on the intricate and exquisite fashions of the day and the lives of such women locally in Fairfield County, making for an innovative look at feminist history in visual format.</p> <p>For more information about <strong>The Fairfield Museum</strong> please visit <a href="https://www.fairfieldhistory.org/">here</a></p> http://archives.wpkn.org/http://archives.wpkn.org/bookmarks/listen/234804 Sat, 25 Aug 2018 11:00:00 GMT Live Culture: Episode 21 This Land Is Your Land http://archives.wpkn.org/http://archives.wpkn.org/bookmarks/listen/165926 <p><strong>Live Culture 21: This land was made for you and me</strong></p> <p>This month offers an audio visit with <strong>Mark D. Mitchell, the Holcombe T. Green Curator of American Paintings and Sculpture at the Yale University Art Gallery</strong> of his exhibit <em><strong>Yosemite: Exploring the Incomparable Valley</strong></em><strong>.</strong> Commemorating the 150th anniversary of <strong>Yale&rsquo;s Peabody Museum of Natural History</strong> and the 100th anniversary of the creation of<strong> America&rsquo;s National Park Service</strong>, <strong><em>Yosemite: Exploring the Incomparable Valley</em></strong> considers one of the country&rsquo;s most celebrated natural landmarks through the fields of both art and science.</p> <p>Beginning in 1855, artists, scientists, and scenic tourists alike traveled to the Yosemite Valley in California&rsquo;s Sierra Nevada Mountains to experience its majestic landscape in person. President Abraham Lincoln extended the first protection to the region in 1864, preserving the valley, with its sheer granite cliffs and soaring waterfalls, as well as the neighboring Mariposa Grove of ancient sequoias. Taking as its starting point Albert Bierstadt&rsquo;s large-scale <strong><em>Yosemite Valley, Glacier Point Trail</em></strong> (ca. 1873), a cornerstone of the collection of the<strong> Yale University Art Gallery</strong>, the exhibition shows how Americans found inspiration in the western landscape and also sought to understand its marvels&mdash;through paintings, prints, and photographs as well as the botanical and geological specimens that early scientists brought back from their expeditions. The exhibition was made possible by the Art Gallery Exhibition and Publication Fund and the Friends of American Arts at Yale Exhibition Fund.</p> <p><em><strong>Yosemite: Exploring the Incomparable Valle</strong></em>y runs October 7, 2016&ndash;December 31, 2016</p> <p>&nbsp;Episode 21 features musical clips by Ryder McNair from the 2015 film <em><strong>Yosemite</strong></em>, as well as songs from the bands <strong>The National Parks</strong> and<strong> Yosemite</strong>. Join us on the 26th to give thanks for one of America's greatest collective assets, our National Parks System.</p> <p><br /> Find our more by visiting: <br /> <a href="http://artgallery.yale.edu/&hellip;/yosemite-exploring-incomparabl&hellip;">http://artgallery.yale.edu/&hellip;/yosemite-exploring-incomparabl&hellip;</a><br /> <a href="https://www.nps.gov/yose/index.htm">https://www.nps.gov/yose/index.htm</a><br /> <a href="https://www.nps.gov/featurecont&hellip;/yose/anniversary/index.html">https://www.nps.gov/featurecont&hellip;/yose/anniversary/index.html</a></p> <p>&nbsp;</p> http://archives.wpkn.org/http://archives.wpkn.org/bookmarks/listen/165926 Sat, 26 Nov 2016 11:00:00 GMT