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https://archives.wpkn.org//banners/7.png850192Live Culture with Martha Willette Lewis replay of Episode 53: protest Readings
https://archives.wpkn.org/https://archives.wpkn.org/bookmarks/listen/278063
<p>This month of Live Culture offers an interview with Gallerist <strong>Jeff Bergman </strong>about his ongoing <strong>Learn-As-Protest</strong> project which has people reading out loud to each other at Trump Tower. Popular with artists and writers, this protest has a wide roster of participants and texts and adapts itself as current events unfold. We discuss creative forms of peaceful resistance, share stories about reading in the tower and discuss why even carrying a book into the building is a powerful act. Jeff has been leading this event weekly since 2016 and has been featured in the <strong>Guardian, the New Yorker</strong> and <strong>The New York Times</strong> to name some of the press this action has garnered.</p>
<p>More about the project here:<a href="https://www.facebook.com/learnasprotest/">https://www.facebook.com/learnasprotest/</a></p>https://archives.wpkn.org/https://archives.wpkn.org/bookmarks/listen/278063Sat, 30 Nov 2019 11:00:00 GMTLive Culture with Martha Willette Lewis Episode 53: protest Readings
https://archives.wpkn.org/https://archives.wpkn.org/bookmarks/listen/267245
<p> This month on Live Culture- an interview with Gallerist Jeff Bergman about his ongoing Learn-As-Protest project which has people reading out loud to each other at Trump Tower. Popular with artists and writers this protest has a wide roster of participants and texts and adapts itself as current events unfold. We discuss creative forms of peaceful resistance, share stories about reading in the tower and discuss why even carrying a book into the building is a powerful act. Jeff has been leading this event weekly since 2016 and has been featured in the Guardian, the New Yorker and The New York Times to name some of the press this action has garnered. </p>https://archives.wpkn.org/https://archives.wpkn.org/bookmarks/listen/267245Sat, 27 Jul 2019 11:00:00 GMTLive Culture-- Episode 29: A Movable Feast
https://archives.wpkn.org/https://archives.wpkn.org/bookmarks/listen/192395
<p>This months guests are:<br />
<strong>Jeff Bergman</strong>, Director at <strong>Pace Prints</strong>, NY, and Artist <strong>Tom Burr</strong>.</p>
<p>The show will begin with a conversation with Gallerist <strong>Jeff Bergman</strong>, to discuss the recent spate of mid-size art gallery closures in New York and what the future is for brick and mortar galleries in the city that traditionally has been the hub for the visual arts in the United States. What does this mean for artists, collectors and those galleries which remain?</p>
<p><br />
A lot is up in the air now, and we discuss the possibilities in these challenging times.<br />
Two good recent articles on the situation are <a href="https://www.nytimes.com/2017/06/25/arts/design/art-gallery-closures-grow-for-small-and-midsize-dealers.html?_r=0">here </a>and <a href="http://www.artnews.com/2017/06/27/a-recent-history-of-small-and-mid-size-gallery-closures/">here</a>.</p>
<p>Additionally, we will discuss Jeff's impending visit to Connecticut: he is one of the invited curators to visit this year's <strong>City-Wide-Open-Studios Festival</strong> in New Haven this October, where he will be perusing the local talent en situ.</p>
<p>My second guest will be Artist <strong>Tom Burr</strong> to discuss is current installation at the empty <strong>Pirelli Building</strong> in New Haven. Tom Burr/New Haven is part of <strong>Bortolami Gallery’s</strong> initiative <strong>Artist / City</strong>, which pairs an artist with a single space for one year. The gallery describes the initiative as:</p>
<p>"a new, experimental alternative for artists to show their work in American cities outside the standard five-week gallery show. Pairing an artist with a space in a different city for a year, we hope to set forth a progressive exhibition structure, expand our programming, and grow geographically without opening full-scale operations. The aim is to create a structure in which our artists can investigate their work without restriction."</p>
<p>The iconic Pirelli Building, designed by <strong>Marcel Breuer</strong> in 1968–70, sits unused, adjacent to Interstate 95 and serves as a dramatic gateway to the city of New Haven, Connecticut. Over the course of 2017, artist Tom Burr—a native of New Haven—has worked on the ground floor of the building, creating a series of site-specific artworks for the location. This endeavor represents a continuation of Burr’s reflections on site, subjectivities, and the eroded distinction between private and public spheres. </p>
<p>We discuss his choice of the site,of coming back home to make art relating to one's past, the use of an unoccupied space to create art, and how this will translate into what he does in the gallery spaces he also shows in. Additionally, in 2017, he has present solo exhibitions at <strong>Maureen Paley</strong> in London; the <strong>Westfälischer</strong> <strong>Kunstverein</strong> in Münster; and <strong>Galerie Neu</strong> in Berlin.<br />
<br />
More about the project and visiting the site can be found here: <a href="http://www.bortolamigallery.com/artistcity/">www.bortolamigallery.com/artistcity/</a></p>
<p> </p>https://archives.wpkn.org/https://archives.wpkn.org/bookmarks/listen/192395Sat, 29 Jul 2017 11:00:00 GMT